Wednesday, 6 April 2016

Musings

Ant se ant tak phele
Aasman ki chadar tale
Andheri be-chand raaton me
Soch ki zameen par
Jab bahut duur nikal jayen
Jawabo ke
Sawalo ko talashte
Uljhe uljhe khayalo ko
Ungliyon ki kanghi se suljhate..

Aur maddham si roshni me
Ek saaya
Soch ki sarhad se nikal kar
Poochhhe pyaar se
Haal hamara..

Kya kahein
Bekhudi ki hadd thi
Saaya tha
Ya phir
Aks mera!!

Friday, 1 April 2016

Editing Shahjahanabad- An Amateur Director's Confessions on Video I


Dear Editors of the world, you have my respect, hats off to you guys for doing this boring job with such passion!Well, nobody told me what I am going to tell you now- 
Editing Videos is the most tedious job in the world! 

Now coming back to Shahjahanabad, in hindsight it seems it was far easier to just shoot in the crowded market places (if only we could just upload the raw footage), but shot Videos needed editing before public viewing! So, we decided to start with the Sohail Hashmi Sahab's video footage first, and since it was a long video we decided to do it in two parts. One part was the walk focusing on the Shahjahanabad Architecture and the other, the short Jama Masjid narrative by Sohail Hashmi Sahab. My Videographer, was also my Editor, and we decided to start with the shorter Jama Masjid video first. We had a few videos, some images thanks to our brilliant Videographer and Photographer respectively, and the task was to add it with Sohail Sahab's interesting narrative, and Voila, video would be ready for sharing on the site! That cannot be so difficult, thought the gullible me, and I could not have been more wrong!!

 The Videographer, whom I had always treated like a younger brother now in the editor's chair, started by sharing a few of his edited films to watch at home (suitably impressed, but honestly speaking, did not watch any!). The equation was established he was the experienced senior, and I was the junior/inexperienced/amateur! 

We started first things first by inserting the slides with title, logo etc. Now, the narrative started, we heard the narrative and cleared the long pauses, unnecessary details, etc. My homework now, was to go home, see the entire clip, if possible transcribe, see what photo/ video should go where and then come for the next editing session! 
In my defense, my teaching classes were going on, and with mid-semester exams I had piles of answer sheets and assignments to check, thus already overworked, I did not do anything I was asked to do! 

We could only do half sessions on few week days as other half of the day, I was taking my classes,  and the Editor was busy editing other people's videos. I had to take appointments and in our limited time, sometimes the machine would misbehave too (yes, that happens). The mornings were starting too early for me and then stuck in the morning rush hour traffic, it would take me more than one and a half hours to reach office from my home, and if I found out that I had to wait more because machine was not ready or for some other reason, I would get upset! I usually carried some packs of snacks as bribe to keep Editor bhai in good humor, and often finished them myself! At the editing table, I managed to often entangle the wires of the headphone many times, once almost spilled the coffee, I was the fumbling older colleague, who had to hear scolding from the senior!

Sitting and staring at the screen for long hours takes patience along with listening to the narratives over and over again. Often by the third -fourth replay of the video, one memorizes the entire narrative, and it played in the head so much that I even had dreams of messing up the entire thing, and Sohail sahab shouting at me! (Nightmares of an Amateur Director, well that could be the subject of another blog post!)

Next session, I was inquired for the script by the Editor Sahab (Respect, guys!). My reaction was, "What? No way!" I know what Sohail Sahab is explaining, I know all the shot visuals, I can do it! We started putting the images/ videos with the narrative, and the fights started! I was making the Editor sahab go through the pile of images/ videos and then select them, a lengthy process. I would like something, for example, the aerial shot and Editor sahab would reject it, or he would put something to hide the jarring cuts, or some other image and I would dislike it. Sometimes, we argued so much that others had to intervene! Then, Editor sahab gave up, and stopped giving inputs, at first I was happy (no more arguments), but then it started to bother me after a while. What if I was doing it all wrong! 

When Editor Sahab left for his hometown in the Holi holidays, I decided to finish other work like shooting around Jama Masjid for some more of the images with our Photographer, and  putting the captions on the edited photos. I researched where I was unsure of details, wrote beautiful captions (in my opinion, of course!) and dedicated an entire day to it. Finally satisfied with my productivity, I finished 90% of the task in a single day. But SomeOne up at the Heavens wanted me to slog a lot more and so, I accidentally closed the window and since it was a new format for me, forgot to save the work!! Thankfully had a few days off with the Holi holidays and the weekend to shake off the sadma of an entire day's work lost! 

 Post- Holi we were back at work. I was getting teased for my inexperience and also being warned not to turn it into a "shaadi ka type video "! We had become foes from friends' taking digs at each other! The bribe was not working obviously and with my pile of answer sheets to check, I was not getting any time to do any "extra" work. But, we both diligently kept working at it and produced a decent version of the video. We showed it to the rest of the team, who liked/ approved of it with a few suggestions/changes. We thought probably an hour more to refine it and our first Video could go online soon! 

Once you get used to it, the editing process is enjoyable! While finishing a long days' work, Editor sahab finally remarked  at some good sense of judgement that I had shown for some of the images, and said sorry, while I thanked him for all the hard work and apologized for my rude behavior too! We were back to being friends' again (until maybe the next editing session)!
But, he had earned my respect for all the Editor Sahabs of the world for sure :)

Here is the link for Video I
https://www.youtube.com/watch?v=Pgrn3ty3u8o

& the Link for the Sohail Hashmi Sahab's Walk
http://uzmaazharali.blogspot.in/2015/12/shahjahanabad-shooting-with-sir-sohail.html 
    

Friday, 25 March 2016

Palm Ka Ped


Tanha akela
Palm ka Ped.. 
Raat ke andhere me 
Uske saaye ghane lagte hain'
Roshni me magar 
sab sach khul jaate hain..

Na saaya ghana 
Na koi phal na phool
Na kisi chidiya ka ashiyana
Na koi mannat ka dhaga
Na musafir ka thikana
Na khazane ka suragh
Bas tan ke khada rehta hai
Itrata hua
Apni shakho ko lehrata hua
Apni zaat ke tilism me gum
Khudi me khush 
Khudi me magan

Aise bhi basar ho sakti hai zindgi
Aur shayad yeh behtar ho zindgi
Na kisi ki ummeed
Na kisi se wasta
Na kisi ko aas
Na kisi ka rasta
Bas
Apni khudi ko maan lo
Phir Khuda se bhi khatam Rabta
Sirf 
Main
aur 
Main ka shehar
Uska Malik main
Uski Makhlooq bhi main
Munsif, Muddayi
sirf 
Main
Tanha bhi Main
Saathi bhi Main
Tum bhi Main
Aur 
Aap bhi Main

Woh
Palm ka ped 
Itna bhi tanha
Nahi Shayad.....

Friday, 4 March 2016

Shahajahanabad Shooting Diary- Day 11- 1857 Walk with Swapna Liddle


We have tried to discover Shahjahanabad visually (for our Sahapedia module) through Walks by scholars and experts on its different aspects. So, when we saw the program of Delhi Walk Festival organising a walk around Kashmere Gate with Swapna Liddle emphasizing on the Indian view of the 1857 Revolt, we thought we should cover it. It was a two-hour walk. 

1857 is a very important period in the history of this city, as it marked not just the end of the Mughal Empire but the decline of the city as well. British had shifted their capital to more friendly city of Calcutta, post-1857 and it remained their capital until 1911. They relocated the capital back to Delhi,but to the new Modern Lutyen's Delhi.


We were supposed to meet at the Kashmere Gate Metro station at 8am. It was interesting to see people from different walks of life taking an interest in history, so from scholars, students, writers, etc. a small group of around ten to twelve people were taken back in time by Swapna Liddle to introduce them to the narratives' of the Indian side of 1857.

We walked from the Metro station up to the remaining part of the Kashmere Gate which still stands with its wounds of British shelling still showing.

Kashmere Gate was one of the gates of Shahjahanabad which became a site of tussle between the Rebel soldier's and Britishers. Britishers attacked from outside the city gates, the soldiers' had come to Delhi and had declared ageing Bahadur Shah Zafar as their leader in May 1857. Before they oiled the old weapons guns, etc. for the war, they sacrificed a goat, did puja and distributed tons of sweets inside the city as goodluck omens and thought this would help them win against the British. In the four months of tussle Britishers gained ground by September, 1857 and soldier's Rebellion was defeated!


From Kashmere Gate we walked towards the Bara Bazar market, built by Lala Sultan Singh in the 1890s. It was the Pre- Connaught Place market of Delhi. One of the  attractive monument on this lane is Fakhar ul Masjid (Pride of Mosques) built by Kaneez Fatima in the memory of her deceased husband Shujaat Khan, Aurangzeb's Commander in Chief in 1728.  

 Opposite the road was St.James Church built by James Skinner ( an Anglo-Indian, referred to by locals as Sikander Sahab). Oldest Church of Delhi built in 1836, during the  Revolt Church had been damaged as it was seen as a symbol of British Empire.

From here, we walked to the buildings of MCD Office and Election Commission buildings, previously the campuses of Hindu College and St.Stephens' (Both colleges have been neighbors' and rivals since their establishment, it seems) since the nineteenth century.

In the opposite lane adjoining the Church are present day campuses of Ambedkar University and Indira Gandhi Institute of Technology. Delhi College (now Zakir Hussain College) was also in the same vicinity. This part in those days, was considered quite posh, upper class neighbourhood. David Ochterlony in 1803, nobleman Ali Mardan Khan in 1640s lived here and Dara Shikoh as well had a library here.

As we walked further, we reached the Magazine monument opposite Post Office, Kashmere Gate where ammunition was stored. This place was blown up by the British so that Soldiers' could not use it. Few steps from the Post Office is the Nicholson Cemetery, named after one of British heroes of 1857, General Nicholson.

We kept walking from here, till we reached Red Fort. In front of the Red Fort, circling Swapna in the middle, we heard her reading out excerpts from different Indian sources describing the events of 1857. The poetry lamenting the loss of the city came to be known as "Sheher e Ashob". The King was treated rudely (even referred to as "Buddha") by the soldiers. He disliked the commotion around his palace, which these fellows had made their home and were ruining his well kept gardens! Even the common people of the city wanted peace, as city had not recovered from Nadir Shah's invasion and now with this war was suffering even more. Mirza Ghalib in one of his letters' had described the situation of the 1857 city in his inimitable style.
  Opposite Red Fort, the Chandni Chowk area was destroyed/plundered by the British, hundreds were hanged and thousands were murdered as punishment for defying the British. Bahadur Shah was imprisoned at Rangoon and his sons shot dead. Thus, ended the Mughal Rule in India.
We walked further down the Chandni Chowk street, with Swapna pointing at different monuments. The Jain traders' community of Chandni Chowk even at that time was quite powerful, no harm came to their neighborhoods and their temples. The Urdu Bazar market (now at Jama Masjid) was completely destroyed by the British. Nai Sarak (new street) was built by the British in the post-1857 period and was lined with new British style buildings. 
 The Town Hall clock tower (Ghantaghar), oldest in India built in the 1870s which got partially destroyed later by an earthquake and fully demolished in the 1950s. The town hall building as center for the British was built in the 1860-65 in the center of the street of Chandni Chowk. Gates at various Katras/ Kuchas still stand to guard residents of those streets against the "outsiders/invaders".
 We ended the walk at Chunamal Haveli. Lala Chunamal a very foresighted businessman in the post 1857 scenario, bought a lot of property at low rates. His Haveli with a big facade on the main street still stands, opposite the lane of Ballimaran. We finished a little after 10am. We were treated with refreshments by the INTACH and DelhiILoveYou team at the Haveli as post- Walk discussions followed. It was a working day and I had a class, so had to rush back!           

Thursday, 3 March 2016

Awaaz...

स्याह रात की काली चादर ने
बस्ती को ऐसे ढांप रखा था
जैसे कोई माँ दुनिया के हर एक ख़ौफ़ से
अपने आंचल में छुपा ले
अपने मासूम बच्चों को ..

और उस पार कड़कती बिजलियों की हुंकार
बारिश की बढ़ती थमती रफ़्तार
और अँधेरे में सुलगते हुए सिगरेट की
मौहूम* सी रौशनी में  (*हलकी )
बातें करती एक आवाज़

मेहरबान कभी बेरुखी दिखाती हुई
कुछ दूर से पास आती हुई
सिगरेट के कश में ज़िन्दगी उड़ाती हुई
अपने अंदाज़ में सुनाती हुई
दास्तान ए ग़म ए  जहाँ
दास्तान ए दिल के किस्से

सन्नाटे में गूंजते रहे आवाज़ के साये
अजब बेख्वाबी के आलम में
सपने सच की कैफियत में
रात भर सुनते रहे हम उसको ..

आंख खुली तो देखा
सुबह के सूरज ने
रात की कहानियों के चिराग़ को
फूंकों से बुझा दिया था!
Syaah raat ki kaali chadar ne
Basti ko aise dhaanp rakha tha
Jaise koi Ma Duniya ke har ek khauff se
Apne anchal me chhupa le
Apne masoom bachcho ko..

Aur us paar kadakti bijliyon ki hunkar
Baarish ki badhti thamti raftaar
Aur andhere me sulagte hue Cigarette ki
Mauhoom* si roshni me (*halki)
Baatein karti ek Awaaz

Meherban Kabhi berukhi dikhati hui
Kuch duur se paas aati hui
Cigarette ke kash me zindagi udati hui
Apne andaz me sunati hui
Dastaan e gham e jahan
Dastaan e dil ke kisse

Sannate me goonjte rahe awaaz ke saaye
Ajab bekhwabi ke aalam me
Sapne sach ki kaifiyat me
Raat bhar sunte rahe hum usko..

Ankh khuli to dekha
Subah ke sooraj ne
Raat ki Kahaniyon ke chiragh ko
Phoonkon se bujha diya tha!

Tuesday, 23 February 2016

Chand


Chand bhi ajab musafir hai
Har roz safar karta hai
Kabhi tanha
Kabhi taaron me
Kahin chhupta kahin nikalta hua
Tareek rehguzaron par
Apne andheron ko chhupaye hue
Roshni ke jazeeron par
Saayon ki talash me
Bhatakta rehta hai
Dhoondta rehta hai
Raah takta hai raat bhar ektak
Taktaki lagaye hue
Subah ki akheer tak
Jab tak Ujala usko gum na kar de
Woh intezar karta hai
Aur ...
Phir mayoos laut jaata hai
Apni adhoori talash ko lekar
Apne jism ki laash ko lekar
Apni andheri duniya me
Ajab musafir hai Chand
Har roz nakaam safar karta hai!  

Saturday, 20 February 2016

Dhund

Dhund me ..
Paon be-his se chalte rehte hain
Kitne lamho ki bani sadiyon se
Koi manzil dikhti nahi
Koi raah mudti nahi
Thakan thakti nahi
Nazar uthti hi nahi
Yeh kaun hai mere jaisa mujhme
Jiski awaaz bhi sunayi deti nahi

Hum khud hi se hairan se rehte hain
Ajab safar ka mod hai
Zindagi khud se bhi tanha lagi hai kabhi
Kabhi apni si kabhi parayi si
Kabhi bikhri si kabhi sajayi si
Yeh tamasha yunhi chalta rehta hai
Kitne lamho ki bani sadiyon se
Dhund ka safar chalta hi rehta hai!

Yuchi chalte chalte

  यूँही चलते चलते  गुमान हुआ  कोई चेहरा ऐसा  नुमाँ हुआ   मुड़ मुड़ कर उसको   राह में देखा किये  देख कर फिर  सोचा किये   ये तो वही है   लगा के ...