यूँही चलते चलते
गुमान हुआ
यूँही चलते चलते
गुमान हुआ
'Old Delhi is chaos and Greater Noida is silence', two worlds I navigate and experience as an inhabitant of both.
The world of Shahajahanabad is where I was born at a Nursing Home at Nai Sarak, the most central, chaotic middle part of Old Delhi, after nearly thirty years of life at Shahjahanabad, I shifted to Greater Noida almost a decade back.
Greater Noida (or GreNo) provided me a home as a refuge, solace and support when I needed it the most in my life. Its long winding, quiet, green, tall trees shaded roads often my companion of long walks, heard all my complaints, rants, songs and helped me heal with their silent presence. I often feel that just like Delhi is the City of Djinns, GreNo may also have some of the relatives, extended families of those Delhi Djinns who came for a holiday and decided to stay back here (for solitude and greenery like me!).
Both cities are very different yet very similar in many ways, especially in their celebrations. The celebrations here are never limited to individual homes but often spill on the streets and are loud, noisy, community shared and shape local identities.
So, at Old Delhi (Bazar Sitaram), having grown up seeing many Dussehras at Ramlila Maidan (Delhi) it has become a matter of habit to attend Ravan Dahans wherever I maybe. The shared community festivals regardless of faith, become an experience for the residents' of the particular localities and the dominant festivities take over the sensibilities of the residents. Visiting Durga Puja Pandals or Ramlila in the calendar month of October was a regular feature whichever city I resided in.
Some people believe that Ravan was born at Greater Noida as per local legend at Bisrakh village. Shiva built a palace of gold for Parvati on an island, called Lanka. As Parvati wished to enter her home, an ardent search for a suitable priest began, which ended on Ravana. He performed the yagna but demanded Lanka as dakshina in return.* Dussehra is not celebrated in Bisrakh Village, the only place in UP where Ramlila is not organised.
This year during the Dussehra/ VijayDashmi festival, I experienced something strangely unsettling at GreNo and hence, is the reason for me writing this blog-post after such a long time, as a form of catharsis.
It raised a question that has been haunting me: When hate arrives at your doorstep, do you stay silent or speak up?
At Ravan Dahan this year, my housing society erected the effigies of Ravan and his brothers outside the Market Complex in the large Parking area. As crowds started coming in for the Ravan Dahan, someone started playing hate-filled Hindutva Pop at the Music system for the public.
Hindutva Pop* is political, not devotional or spiritual music to be played at festivals and is often the cause for increasing conflict among communities. I was dismayed, pained, anguished at the choice of such music at MY residential society. Something I had never heard in a decade of stay here. Hindutva Pop is a genre of hate-filled violent lyrics mostly directed at Muslims'.
At Christ College (deemed to be University in early 2025), we had invited journalist Kunal Purohit who has a book on H-pop for a talk. The discussion became very political (of course!) leaving Left-Right ideological divisions exposed of/for the audience.
I registered my disappointment (not shock!) at the kind of music that played just before the Dahan at all the Housing society WhatsApp groups and on Mygate app via a message post. My friends/family were concerned and advised that I should refrain from visiting festival spaces or saying anything about this.
In another context, someone had shared a post that has stayed with me:
“If you see something wrong happening around you and ignore it, a small matter may soon grow into something much bigger. That is why it is important to call out the wrong when it happens, otherwise the wrong gets normalised as right and starts dancing on our heads.”
(loose translation from a WhatsApp message)
As we see the rise of right-wing majoritarian politics and performative religious festivals around the world, we also need to reclaim shared, safe spaces. Spaces, where local communities can celebrate, exchange dialogue and build solidarities across faiths.
Because silence too is a choice, and often it is the most dangerous one!
Our Ravan here resembled Dali as per a friend.Title from Zia Mazkoor's she'r: Humko neeche utaar lenge log ......Ishq Latka rahega Pankhe se
References:
www.indiatoday.in/india/story/ravana-greater-noida-demon-king-delhi-ncr-bishrakh-dussehra-345906-2016-10-10
https://time.com/6242156/hindutva-pop-music-anti-muslim-violence-india/
Kunal Purohit’s H-Pop: The Secretive World of Hindutva Pop Stars
Alif in eastern philosophy stands for Oneness, it is the first letter and the most important letter arguably.
| According to a traditional narrative cited in Kitab e Kharay, one day Prophet's companions were having a discussion amongst themselves about the alphabet/letter in Arabic language without which no word can be formed, no priest can give his sermon without this word/letter. After a long discussion they all agreed that Alif is that unique letter, no sentence can be formed in Arabic language excluding it. | ||
Hazrat
Ali (RA peace be upon him) was also present there. He came on the
podium and gave such an amazingly illustrious sermon/khutba where Alif
was not used in any of the words. Translating this Khutba
makes its human brilliance reach the larger audience but the actual
quality of the Arabic lyricism is lost on the larger non-Arab audience.
This can only be understood in the Arabic language. Tashayyo channel
tried to adapt this in Urdu language so that none of the Urdu words
have any Alif letter in them. So that the audience can also enjoy the
actual meaning of the sermon and its lyricism. | ||
बीड़ी पीती औरत
अंकुश लगती है
घूरती निगाहों को
समाज नकारता है
कुढ़ता है उसकी बेईमानी पर
कर्त्तव्य याद दिलाता है
यह उसका हक़ नहीं
इस बीड़ी की जगह
हाथ में बेलन, झाड़ू शोभा देती है
आंख में आंसू की जगह
ज़िद क्यों है बराबरी की!
मुंह से निकलता धुआं
मज़दूरी के दर्जों पर सवाल करता है
मेहनत की बराबरी का हक़ मांगता है
बीड़ी पीती औरत ख़ुद सवाल है
धुंए में बनता ख़ाका
उसके अस्तित्व का हर प्रश्नचिन्ह '
समाज को भी कटघरे में
खड़ा करता है
और वह उड़ा देती है
बीड़ी के कश में
समाज का हर सवाल
और अपने वजूद का भी !
डिस्क्लेमर : बीड़ी पीना आपके और समाज के लिए हानिकारक है
بیڑی پیتی عورت
انکش لگتی ہے
گھورتی نگاہوں کو
سماج ناک بھوں چڑھاتا ہے
کڑھتا ہے اُس کی بےایمانی پر
فرض یاد دلاتا ہے
یہ اُس کا حق نہیں ہے
اس بیڑی کی جگہ
ہاتھ میں بیلن، جھاڑو، زیب دیتی ہے
آنکھ میں آنسو کی جگہ
!ضد کیوں ہے برابری کی
بیڑی پیتی عورت خود سوال ہے
دھویں میں بنتا خاکہ
اُس کے وجود کا ہر سوالیہ نشان
سماج کو بھی کٹہرے میں
کھڑا کرتا ہے
منہ سے نکلتا دھواں
مزدوری کے درجوں پر سوال کرتا ہے
محنت کی برابری کا حق مانگتا ہے
اور وہ اُڑا دیتی ہے
بیڑی کے کش میں
سماج کا ہر سوال
!اور اپنے وجود کا بھی
انتباہ: بیڑی پینا آپ کے اور سماج کے لیے نقصان دہ ہے۔
Beedi Peeti Aurat
Ankush lagti hai
Ghoorti nigahon ko
Samaj nakarta hai
Kudhta hai uski beimaani par
Kartavya yaad dilata hai
Ye uska haq nahin hai
Is beedi ki jagah
Haath mein belan, jhadoo, shobha deti hai
Ankh mein aansoo ki jagah
Zid kyun hai barabari ki!
Dhuen mein banta khaaka
Uske Astitva ka har prashan chinh'
Samaj ko bhi katghare mein
khada karta hai
Munh se nikalta dhuan
Mazdoori ke darjo'n par sawal karta hai
Mehnat ki barabari ka haq mangta hai
Beedi peeti aurat khud sawal hai
aur woh uda deti hai
beedi ke har kash mein
Samaj ka har sawal
Aur apne wajood ka bhi!
Disclaimer: Beedi peena aapke aur samaj ke liye haanikarak hai
Book Review
Parveen, Nazima Contested Homelands: Politics of Space and Identity, New Delhi, Bloomsbury India, 2021, 312 pages, Rs. 1299/- ISBN 978-93-89000-89-4
Social Change: 53(1) 144–157 2023 pg. 152-155
In India, residential segregation on the basis of caste and religion is not a recent phenomenon and not confined to one religious community and is widespread across regions, linguistic communities and religions, but the intensity and the religion-centric politics of the current times surely desires’ fresh research perspectives and studies. Nazima Parveen’s first book focuses on the Muslim community and the process of religious segregation in Old Delhi/Shahjahanabad.
The Pew Center Report[1] (2021) published couple of months back validates what we have known and have been observing for some time now in the present day India. The report through surveys in various regions of India shows large proportion of Indians prefer to stay in neighbourhoods of their caste and religion, want to make friends and marry within their communities (endogamy), hence religious or caste based segregation is what large majority of Indians want even today in 2021. Often, their belief centering on the notion of religious ‘tolerance’ does not include intermixing with other religions’. Religious segregation is a manifestation of such beliefs and practices.
Two very important books on the same issue of religious segregation of Muslims in the recent past have been of Ghazala Jamil’s Accumulation by Segregation: Muslim Localities in Delhi (OUP, 2017) and edited book by Christophe Jaffrelot and Laurent Gayer, Muslims In Indian Cities: Trajectories Of Marginalisation (HarperCollins, 2012), Nazima Parveen in her book provides the context and the background for the segregation of Muslim community as a consequence of historical processes.
The first chapter starts with tracing the developments in colonial India regarding the ‘communalisation of space’ from 1809 up to 1939. In this chapter, she documents the colonial administration’s intervention through policy in the form of various decrees/declarations/ municipal bye laws/ police orders with regard to local customs and religious practices. She emphasizes that it was the administrative colonial demarcation that produced three categories of space: ‘Hindu dominated’, ‘Muslim dominated’ and ‘mixed’ areas. Problematization of cow sacrifice under the British while it had never been an issue before to post 1857 changes in the Delhi city’s demography and socio-political conditions have been explained in detail.
Second chapter takes a closer look at the pre-Partition politics of 1940s which gave rise to the discourse around homeland, the idea of Pakistan. There have been many books and much discussion on the pre-partition violence and the communalization of this period. She adds interviews with some older residents of Old Delhi/Shahjahanabad to add more depth to the chapter.
Third chapter focuses on the post-independence
period from 1947 to 1974 which made Muslim dominated areas appear as
problematic ‘mini-Pakistans’ in the popular imagination. Politicization of Indian Muslim identity can
be traced back to this period in terms of belongingness and citizenship. The
institutions of the new Indian nation state were compromised on the lines of
religion, for example, often police acted in a biased manner in several
instances of communal conflict. The meat politics led to communal riot at
Kishanganj in 1974 where Muslims were targeted by RSS, Jan Sangh and a section
of the police force (Vijay Pal Singh enquiry committee) (pg. 183).
Wars with Pakistan created a situation where Muslim dominated areas started being seen with concerns around internal security. Fourth chapter deals with the politics of redevelopment and resettlement in the Emergency era. The administrative politics of the 1970s transformed the community-space relationship. Urban development and its politicization through the two episodes of Jama Masjid Clearance scheme and Turkman Gate redevelopment scheme have been discussed in detail, how statutory, metropolitan and municipal authorities formed a collaborative team and zeroed in on ending Muslim ‘segregation’ through forced clearance and sterilization at the two Shajahanabad localities.
“Do you think we are mad to destroy one Pakistan to create another Pakistan?” (pg. 231)
Jagmohan, then DDA Vice Chairman had given this (in) famous reply to the residents of Turkman Gate who had approached him for help for suitable settlement relocation in view of the threat of their homes being demolished by the administration.
Portrayal of Muslim community as being anti-development and their resistance as anti-establishment led to Muslim localities and their image being propagated as ‘culturally segregated and politically separated spaces’ (pg.245).
In the conclusion chapter, Nazima Parveen discusses the dilemma of Delhi Muslims, largely reflecting the microcosm of the macrocosm of the larger Muslim question of identity and citizenship,
“For Delhi Muslims, homeland was nothing but an evocation of the right to live and perform their religious and cultural practices in the galies, mohallas and ilaqe where they were the majority…… conflicting claims and realities of the partition turned every Muslim household, gali, mohalla and ilaqa of Delhi into contested zones. I argue that these various assertions of homelands were eventually reduced to the theory of ‘two nation’ or communal antagonism.” (pg. 267)
Over the years, she observes how the Muslim localities and their perceptions changed as she sums up the changing trajectory and politics 1940s onwards,
“…in the 1940s, as Muslim dominated areas that were to be administered for the sake of communal peace; in the 1950s as ‘Muslim zones’ that needed to be ‘protected’; in the 1960s as ‘isolated’, unhygienic cultural pockets that were to be cleaned and Indianised; and in the 1970s, as locations of ‘internal threat’-‘mini Paksitans’ that were to be dismantled and integrated. This book thus suggests that ‘Muslim localities’ are discursively constituted political entities which may or may not correspond to the actual demographic configuration of any administrative urban unit…” (pg. 274)
Through the idea of ‘Contested Homeland’ this book suggests that the relations between Muslim communities and their living spaces have evolved out of a long process of politicization and communalization of space in Delhi. Nazima Parveen’s book has focused on the Muslim community’s interaction with the colonial to post-independent Indian state and the effects of state policy in creating segregated spaces for the community, especially the British government policy of separate electorates’ to Indira Gandhi’s Emergency era clearance/sterilization fiasco. Her work is rich with details of history and concludes at the Emergency period to contextualize the present religious segregation debate.
Although, the multi-layered process of segregation cannot be seen just from the prism of historical processes and as a result of state policy. The view from top as opposed to view from the below as the book focuses and creates its narrative mainly from archival sources, reports’, written and oral accounts, Shahjahanabad’s complex demography has been explained briefly through the caste factor (Qureshis’ of Qasabpura, Telis’ of Turkman Gate) discussed with regard to different incidents but largely the factors of caste-class segregation of various kin-based neighbourhoods’ of Shahjahanabad remain largely unexplored. Some more ethnographic details and interviews from the locals including the Muslim lower castes’ and women living in caste based mohallas could have been added to give a diverse people’s perspective.
Since, religious segregation is a complex process and apart from historical processes and state policy, there are many other factors which need a deeper analysis. Muslim community at Shahjahanabad (and elsewhere as well) have also used their active agency or the choice to reside in the Muslim dominated areas due to various cultural factors ranging from availability of halal food to presence of mosques which cannot be overlooked.
In the present socio-political scenario, the insecurity factor again became relevant in the post-liberalization era leading to religious segregation. The communal politics of BJP-RSS leading to the Ayodhya -Babri Masjid riots in the 1990s to Gujarat riots of 2002 to Delhi riots in 2020 have had a deep effect on Muslim psyche and fear of being targeted in non-Muslim areas by the right wing mobs.
Nazima Parveen’s Contested Homeland: Politics of Space and Identity is well-researched and relevant book for the present socio-political debates on Muslim segregation and the larger Muslim question of belongingness.
Reviewed by:
Dr. Uzma Azhar
यूँही चलते चलते गुमान हुआ कोई चेहरा ऐसा नुमाँ हुआ मुड़ मुड़ कर उसको राह में देखा किये देख कर फिर सोचा किये ये तो वही है लगा के ...